You know you’re getting older when those that you’ve idolized for more than a 1/4 century (and more importantly, those that have made a huge impact/influence on you) start passing away…
I was in Johannesburg earlier this week on the Creative Days tour when I heard about Ray’s passing, and all I can say is…I hope he’s hanging with Jim Morrison right now, sharing a laugh, a smoke, and making some great music…and I’m quite sure he is.
To say that Ray was a *huge* influence on my musical development (and most directly, my piano/organ playing) is really an understatement. Considering that I’ve been playing for more than, ahem, 30 years, there are still several Doors songs that are not only in my daily rotation (as piano exercises, among other things) but even now, as I’m writing this blog, I’m simultaneously mastering a few recent live takes of my ‘Just Play Music’ series, in which I play a classic Doors number (and a Manzarek masterpiece, in terms of left hand/right hand counterpoint) entitled, You’re Lost Little Girl.
Download the Live Rough Mix of You’re Lost Little Girl (from Just Play Music, Season 1)
Download *another* (and totally different) live take from the ‘Just Play Music: Just Piano & Vocal – Tempo’ Episode (also unreleased)
(legal note: I have secured mechanical and streaming licenses to cover this song via The Doors Music/Wixen Music Publishing & Limelight; seeing as this is ‘unfinished’, not being ‘sold’ and not yet officially released, this current distribution is limited to 250 ‘streamed’ copies; should I exceed that, I will acquire new licensing with Limelight and adjust accordingly)
I was fortunate to have seen Ray twice in person, live on stage. Once, back in 1999 at Alice Cooper’stown in Phoenix with his own band; and then about 5 years later with the re-formed “Doors of the 21st Century” alongside fellow Doorsman Robby Krieger and former Cult singer, (and Jim Morrison doppelgänger) Ian Astbury. In both appearances, Ray’s playing (not surprisingly) was as fresh and articulate as it ever was. Masterful, really…with the perfect (and consistent) blend of blues-R&B-infused jazz and classical with a side of psychedelia. The man CREATED this style; my ‘left-handed piano bass’ chops are a direct result of listening (and mimicking) countless Doors songs when I was young; and my continued use of this style today has subsequently turned everything I’ve done into a semi ‘tribute to Ray’ in some small way. I’m not overstating either…it’s true.
If you ever heard Ray speak, his voice and his word choices were equally as unique as his playing style. While I’ve heard some some say that his vernacular was often ‘stuck in a kind of 60s idealism’, this was the man. Spiritual, hopeful, realistic, mystical, magical and chock-full of the wisdom of his years. To hear him tell a story (he even did a few spoken word CDs in the mid-90s, recounting tales of The Doors, Jim, and their lives) he was truly an orator–one whose vocal eloquence and diction not only captivated the listener, but kept one on the edge of his every word.
In one of his final video appearances (for The Doors’ ‘Making Of LA Woman’ 40th Anniversary documentary) Ray quotes a line of Jim’s from Roadhouse Blues (found on ‘Morrison Hotel’, the previous album)…”The future’s uncertain, and the end is always near.” Ray had apparently only told his current bandmates about his illness (a very rare form of bile duct cancer) several months ago before seeking special treatment in Germany, where he ultimately passed away. But the man was STILL playing, still gigging and still doing it all until the end; because after all, the future *is* uncertain and the end *was* always near. He had 74 glorious years before he met his end—but his words, his wisdom and his musical legacy live on, in me and in countless others.
Rest in Peace, Raymond Daniel Manzarek. Here’s to breaking-on-thru to the other side…